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When it works — as it does here, beautifully — this highly stylized approach to adaptation appeals to audiences who love drama and the written word.The literary flavor of the book is preserved, yet the evening itself is thrillingly theatrical. Lawrence's novel and this staging can be, let's be frank."Lady Chatterley's Lover" reflects a woman's point of view, as Constance eschews the life of the mind for living fully in her body.So there is nothing smutty or degrading about the sexuality in the novel or in the play — instead, there is a sense of discovery and naturalness.The key to its success with audiences stems from its retention of the substance of D. "We felt we had to find a way for her to speak his thoughts. the notion of a person speaking the actual thoughts that are going through their mind during lovemaking." ought to resonate with American readers as never before: "Ours is essentially a tragic age....

It is not often you see a novel brought to the stage with such fine focus and devotion to the author's intention. In his younger days, Vreeke (pronounced VRAY-key) says, "I was mad all the time . It premiered at the Book-It Repertory Theatre and had extended runs in Seattle and Los Angeles. "One of the extraordinary aspects of the book is the erotic, sensual awakening of this woman and what Lawrence is trying to say through that," Vreeke continues.

Owen throw themselves into the role of lovers, and every encounter is palpably believable.

The sex is stylized and tasteful, almost choreographed like ballet.

Constance is at first pleased to be loved for her mind, but Clifford's academic bullying and smugness begins to suffocate her.

There has to be something beyond words, beyond talk and duty.

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